Anthony Ennis 2017 Honduras Rosewood/Spruce Top Hand built in South Carolina, Tony Ennis employs a unique Unibody construction for all of his guitars. He builds a rigid body frame around which the top, back, sides, and neck are attached integrating the all of the component parts into a single unified assemblage which Tony characterizes as unifying all of the component parts as opposed to just coupling them.
Model | Anthony Ennis 2017 Tasmanian blackwood/Spruce Top |
Size/Type | Full sie concert |
Top Wood | German Spruce |
Back & Sides | Tasmanian Blackwood |
Binding/Bridge | Rosewood/paduk |
Purfling | Natural/dyed maple |
Rosette | Traditional Spanish motif |
Finish | French Polish |
Neck/Fingerboard | Spanish cedar neck, elevated ebony fingerboard |
Truss Rod | None, carbon fiber reinforcement bar |
Scale Length | 650mm (25.6’’) |
Number of Frets | 12 to body, 20 total |
Fret Marker Inlays | Frets 7 & 12 |
Nut Width | 51mm (2’’) |
String Spacing at Saddle | 57mm (2.24’’) |
Nut/Saddle | Bone |
Bracing/Build | Modified fan bracing |
Body Width | 14 7/8 lower bout |
Body Depth | 3 7/8’’ upper bout, 4.0’’ lower bout |
Overall Length | 39 5/8 |
Tuning Machines | Rubner |
Tap Plate/Pick Guard | None |
Strings | D’Addario EJ46 Pro Arte hard Tension |
Cutaway | None |
Electronics | None (Barbera Soloist Transducer upgrade available) |
Electronics | full professional setup |
Case | Deluxe hardshell |
Included Accessories and/or Services | Full professional setup |